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"If you see how far the Chinese have come in the past 10 years, that is perhaps more impressive than what the Japanese did," he said.
Ching said that the interest in Western art has been something of an evolutionary process.
"They started off buying Chinese paintings and ceramics but have been gradually buying in other categories, particularly red wine, especially from Bordeaux and Burgundy, watches and jewelry such as big quality diamonds," he said.
"In terms of purchasing art, those who have been buying Chinese contemporary paintings have felt more comfortable in moving to buy impressionist. They like nice colorful pictures. At this juncture they are more attracted to this sort of painting than Western contemporary art. I think that requires a greater understanding of Western culture before you can appreciate it," he said.
He said Chinese buyers were also turned off by traditional Western art.
"I think some of the old master and religious paintings do not appeal to the Chinese," he said.
Ching said it was not always easy to persuade Chinese investors to buy Western art.
"I have three or four key clients who could easily spend 100 million yuan every time we have a sale. While they might be happy to spend 30 million yuan on a small little porcelain vase, they might be reluctant to buy a fairly decent impressionist painting for the same money. There is always a perception they don't know enough," he said.
He added many of the Chinese buyers have made their personal fortunes in mainstream businesses such as real estate and finance.
"Some of the new money they represent is 15 to 20 years old so in a sense it is new old money in the China context," he said.
Ching dismissed any suggestion that China's billionaire art investors were merely speculators looking to make quick profits.
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He said many of them buy the art to display in their offices rather than their homes.
"Many of them have huge offices and they like to display it there, talk about it and share it with other people. They care about how their workplace looks," he said.
He said some were also interested in building private museums so that the public would be able to enjoy the art as well.
"Very few of our other buyers want to share their collections with the public but we are finding a lot of our Chinese buyers are in the process of planning museums to house their collections," he said.
Ching said Sotheby's intended to increasingly aim its main sales in New York and London at Asian buyers.
It will be exhibiting some of the works prior to major sales not just in Hong Kong but in key locations in the Chinese mainland as well.
"We have been doing this anyway but knowing the growing interest by the Chinese on the mainland we will be bringing more highlights to Hong Kong and, hopefully, the mainland in the future," he said.
Sotheby's has also increased the Chinese content on its website and some of its podcasts also have Chinese subtitles. "We also have Chinese client managers and business development people who speak Chinese who can look after our key clients," he said.